Hettie Judah

The artist's show at Hepworth Wakefield is her first solo show in a European museum.

The fair brings together artists like Do Ho Suh and Shezad Dawood, who are working with textiles in a whole new way.

The show features a different side of the photographer known for his sense of fantasy and whimsy.

From Kara Walker, to William Blake, and even Anna Delvey; these are the shows everyone will be talking about.

Beca Lipscombe and Lucy McKenzie’s exhibition, “Passer-by,” is “equal parts local museum display, contemporary art show, and functional salesroom.”

The artist's new show at David Zwirner in London questions the legacy of "white artists’ rebellious father-son relationship to art history."

The British artist brings lasers, 303s, Karl Marx, and the right to assemble into the classroom.

The Glasgow-based artist's new film, "Make Me Up," is a bubblegum pink feminist fantasia.

A new survey of the photographer’s work is on view in the UK, so we talked to Sassen about working between art and fashion, and the importance of staying in touch with the subconscious.

In James Bridle’s “New Dark Age: Technology and the End of the Future,” technology is a force for confusion and opacity rather than enlightenment.

Erin M. Riley makes slow weavings of fast images.

The mannequins at the new Alaïa exhibition are basically ground zero for agalomatophilia, the fetish for inanimate human-shaped objects.