Travis Diehl

The comedian's characters seem almost readymade for the pandemic.

Koons’s record-breaking statue holds a mirror to our times. It is also, literally, a mirror.

Milorad Krstic’s new animated feature unravels the mistakes of most films about art or artists, and amplifies the good parts. Like a good psychiatrist.

In an age of social media and ever-escalating spectacle, the state would love us to keep paying attention.

An exhibition in L.A. examining the brouhaha around a planned freeway extension is smack dab in the middle of its path.

As legalization (and commercialization) gain momentum in the US, an emissary from the halcyon days of marijuana culture breaks out his photo albums.

In a conversation with GARAGE, K-HOLE founding member Dena Yago obliterates the WeWork aesthetic.

Christoph Büchel is framing the border prototypes as sculpturally significant, but they don't measure up against the ideals of the Land Art movement's godfather.

Ann Carlson's interspecies dance-drama tackles Shakespearian themes from deception to revenge.

The relocated Wende Museum is a Californian treasure trove of art and artifacts from the Soviet Bloc, including several chunks of the Berlin Wall.

if "Blade Runner 2049" is any indication, smoking is on the outs. But cinematic portrayals of the present aren't quite keeping pace with reality.

A Palme d'Or-winning movie from Swedish director Ruben Östland​ takes on the absurdities of art museum politics, with a little help from one of the greatest apes in the biz.