Magazine

The Dinner Party of Dreams

A group of chefs, creatives, and activists envision their own dream gatherings, for a new future. Date (and dimension) TBD.

Eileen Cartter

Any Other Way

Kaitlyn Greenidge, a New York Times contributing op-ed writer and author of the novel "We Love You Charlie Freeman," pens a story about two girls growing up in Tulsa’s Greenwood District.

Kaitlyn Greenidge

Darling, How About a Spritz of Something Divine?

When you’re stuck at home with nowhere to go, a good movie and a new perfume are the ultimate escape. Why not throw in some luxe jewels for good measure?

Kashina

Raven-Symoné's 20/20 Vision

Our favorite early-aughts psychic answers the GARAGE Questionnaire.

GARAGE Magazine

Vibe Check!

Writer and curator Antwaun Sargent brings together the brightest creative minds today in a text group chat to meditate on their practices and futures.

Antwaun Sargent

To Say the Same Thing In Many Different Ways

Family takes center stage in Quil Lemons' latest photographic essay.

quil lemons

Shadow Puppetry

Nia DaCosta, the director of the upcoming Candyman, knows it’s all fake, but she’s not tempting the devil. Photographed by Shaniqwa Jarvis.

Gabrielle Rucker

The New Collectives

In the past year, the power of mutual aid funds and collective action has lead to the vital organization work needed to keep communities safe.

Sophie Kemp

Smarter Child

Martine Syms was set to have a busy year—until the pandemic hit. Annie Armstrong catches up with the artist at her studio in Los Angeles.

Annie Armstrong

Kenneth Ize Gets Real

The Nigerian designer is staking a claim on the fashion industry, on his own terms.

Laia Garcia-Furtado

An Inquiry Into Black Space

Virgil Abloh and ALASKA ALASKA gather a collective of Black architects, artists, and creatives to discuss what Black space means to them.

GARAGE Magazine

GARAGE Wisdom: André Walker & Jimmy Paul

The designer and hair stylist discuss the importance of community, creativity, and going out to party with your friends. Photographed by Cruz Valdez.

Laia Garcia-Furtado
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